TeraAirlift

Media Workflows

How Much Storage Does 8K Video Use?

A capacity and transport guide for footage whose hourly volume can move from hundreds of gigabytes into multiple terabytes.

Richard Parker8 min read

Open solid-state drive with memory chips exposed

8K video can use about 0.10 TB per hour for a heavily compressed camera mode, roughly 0.23–0.48 TB per hour for the cited Sony XAVC H modes, 0.28–3.06 TB per hour across 24p ProRes variants, and 7.64 TB per hour for ProRes 4444 XQ at 60p. Name the codec, resolution, and frame rate before using any 8K estimate.

For a published fixed or target bitrate:

decimal GB/hour = Mb/s × 3,600 ÷ 8 ÷ 1,000

Equivalently, TB/hour ≈ Mb/s ÷ 2,222. These are theoretical bitrate conversions. Actual files can vary with codec behavior, scene complexity, containers, audio, and metadata.

A sourced 8K storage table

ITU-R BT.2020 defines 8K UHD as 7680×4320. Apple's ProRes tables use 8192×4320, while Sony's cited Long-GOP row uses 7680×4320. That resolution difference matters, so each row keeps the vendor's assumption.

| 8K format | Published bitrate assumption | Per minute | Per hour | |---|---:|---:|---:| | Canon R5 8K IPB Light | Canon approximately 230 Mb/s | approximately 1.7 GB | approximately 0.10 TB | | XAVC H Long, 7680×4320/24p | Sony 520 Mb/s | approximately 3.9 GB | approximately 0.23 TB | | ProRes 422 Proxy, 8192×4320/24p | Apple target 622 Mb/s | approximately 4.7 GB | 0.28 TB | | XAVC H Intra HQ, 8192×4320/24p | Sony 1,056 Mb/s | approximately 7.9 GB | approximately 0.48 TB | | Canon R5 8K RAW | Canon approximately 2,600 Mb/s | approximately 19.5 GB by bitrate | approximately 1.17 TB by bitrate | | ProRes 422 HQ, 8192×4320/24p | Apple target 3,017 Mb/s | approximately 22.6 GB | 1.36 TB | | ProRes 4444 XQ, 8192×4320/24p | Apple target 6,788 Mb/s | approximately 50.9 GB | 3.06 TB | | ProRes 4444 XQ, 8192×4320/60p | Apple target 16,970 Mb/s | approximately 127.3 GB | 7.64 TB |

Apple provides target data rates and approximate storage figures. Sony and Canon describe their own modes and assumptions. The Canon chart also publishes approximate per-minute figures that can differ slightly from simple bitrate conversion; use the camera's current documentation when card capacity is critical.

Why 8K is roughly four times 4K

7680×4320 contains four times the pixels of 3840×2160. At a matched codec and frame rate, Apple's data confirms the rule: ProRes 422 HQ/24p is 754 Mb/s at 4096×2160 and 3,017 Mb/s at 8192×4320, approximately four times higher.

Codec can outweigh that resolution rule. Sony's 520 Mb/s XAVC H Long example is much smaller than ProRes 422 HQ at 3,017 Mb/s, even though both are 8K-class formats. Long-GOP, intra-frame, raw, and mezzanine formats serve different acquisition and post-production needs; the smallest file is not automatically the correct production choice.

Frame rate is another direct multiplier. ProRes 4444 XQ rises from 6,788 Mb/s at 24p to 16,970 Mb/s at 60p. High-frame-rate coverage can therefore dominate a day's storage even when most scenes use 24p.

Plan a shoot day, not one hour

An illustrative three-hour 8K ProRes 422 HQ/24p day is:

3 × 1,358 GB = 4,074 GB, or about 4.07 decimal TB.

Two protected original copies require about 8.15 TB before proxies, audio, reports, sidecars, and headroom. This is a stated planning scenario, not a universal backup policy. Multiple cameras and high shooting ratios increase it linearly.

Do not confuse decimal TB with binary TiB. Storage vendors generally advertise decimal capacity; some operating systems report binary units. Also test real camera clips when using variable-bitrate or constant-quality modes because no single bitrate can represent every scene.

Convert capacity into a transfer window

In the current calculator model, 4.074 TB at 1 Gbps takes about 10 h 8 m for one network leg. Upload at 500 Mbps plus download at 1 Gbps takes about 30 h 25 m. These modeled values use decimal TB and a 12% planning allowance. They are not measured product performance.

At this scale, shipping can still be correct. Compare copy-on, courier, copy-off, and verification against both online legs with the shipping calculator. A hybrid can send proxies first while originals continue online or travel on physical media.

For adjacent planning, use the 4K storage guide, raw-size explanation, and 4K/8K movement workflow. The delivery-night checklist covers packaging, ownership, and verification.

Where TeraAirlift fits

TeraAirlift is a Windows-first desktop operations console for large file and folder delivery, with queue state, progress, ETA, cancellation, retry-friendly operations, history, diagnostics, recipient controls, and SHA-256 verification. Those controls help operators manage multi-hour 8K jobs; they do not guarantee throughput or replace the customer's archive. See the post-production transfer page.

Sources

Close-up of a cinema camera rig with lens support rails

Media Workflows

Why Raw Video Files Get So Large So Quickly

Explain how resolution, frame rate, bit depth, chroma sampling, duration, and codec choices make raw video files grow rapidly.

Richard Parker8 min read

SD card contact side held beside a portable card reader

Media Workflows

How Much Storage Does 4K Video Use?

Estimate 4K video storage by codec, frame rate, bit depth, and recording duration using published professional format rates.

Richard Parker8 min read

Plan your next large-file transfer

Schedule a demo or download the Windows client to explore the TeraAirlift workflow.

End-to-end desktop clients — you send from the app; your recipient opens TeraAirlift and pulls from Available Downloads.